Janet Skeslien Charles is the New York Times, USA Today, and #1 international bestselling author of The Paris Library, Moonlight in Odessa, Miss Morgan's Book Brigade (called The Librarians of Rue de Picardie in the UK and Commonwealth). Her essays and short stories have appeared in the Chicago Tribune, The Sydney Morning Herald, and the anthology Montana Noir. Her work has been translated into 40 languages.
Janet was born and raised in Montana. After graduating from the University of Montana, she got a job teaching English in Ukraine. She later went to France intending to teach for a year, and has been there ever since. Place is at the heart of every story she has ever written. She loves traveling, spending time with friends and family, and researching stories of forgotten people and places. (Bio courtesy of Janet's website.)
At work, Lily meets an extraordinary cast of characters—including her favorite writer, struggling students, haughty trustees, and devoted volunteers—each with their own stories...and agendas. In the library’s attic, Lily discovers a box of archives that may be a link to Odile’s own Parisian chapter.
This “stirring and rich with detail” (Kristin Harmel, New York Times bestselling author) story is a love letter to the power of literature, the life of the artist, the importance of friendship, and leaving home only to find it again. (Courtesy of Amazon.)
- @bookscoffeebrews
"I enjoyed every minute of Lily’s coming of age, which is a story of friendship, growing up, and the importance of forgiveness."
- M DeFord (Amazon)
Hello, I’m thrilled to be back at Chick Lit Central with my fourth book, The Parisian Chapter. Many thanks to Melissa for her support over these last fifteen years! I love her description of my novel, “The Devil Wears Prada set in a library.”
I started writing the book in 2010, when I worked as the programs manager at the American Library in Paris. It was a dream job – working with books and authors, scheduling and planning evening events, sharing my love of the written words with longtime patrons and people just passing through. Still, there were difficult moment. One evening, after an event, audience members said goodbye and went home. As usual, I was the last person to leave. Or so I thought. Instead, I found myself alone in a darkened three-story building with a belligerent patron twice my size. When asked, then told to leave, he refused. It was a scary moment.
In my life, I’ve worked many jobs, from hotel maid to waiting tables to cooking in the University of Montana cafeteria. And yet I’ve never been talked down to as I was at the library. Patrons and staff were far from family in the States. Some booklovers were homesick and short-tempered, others were lost and didn’t know where to turn. My level-headed coworker kept a box of tissues on her desk because people sometimes burst into tears. In one case, Kate, an American volunteer, was thrilled because her French boyfriend had proposed. Over Sunday lunch, when the newly engaged couple shared the news with his parents, maman and papa convinced their son that marriage to a foreigner was a terrible idea. Kate dried her tears, ditched her fiancé, and continued her studies. I’m glad that she had the library, a place she could share her pain and confusion.
In my novel, I wanted to show people like Kate, and what the library meant to each one. I hoped to capture happy memories as well as challenging moments that forced growth. Told from different points of view, the novel underlines the relationship each character has with the library. For David, a volunteer, the library is home; for Tolstoy, a soldier with PTSD, it is a second chance; for Lily, the library is a trampoline that jumpstarts her career. And because novels need friction, there are a few disgruntled characters. The head librarian has started to loath people - to him the library is a battlefield. To the director, the job is constant stress, ranging from problem patrons to busted water pipes. Depending on the POV, the library is a source of frustration, dread, hope, or joy.
It is here that you see my Montana roots. The form of The Parisian Chapter is a wagon wheel. The main character Lily Jacobsen is the hub. The other narrators are radiating spokes that connect to the tire. The wheel is endangered when several spokes break. Like a wagon wheel, the library is reinforced by the patrons and staff. And of course, these spokes speak to our experiences.
One of my favorite spokes is the character Felicity, a trailing spouse. She visits the library to check out books for her teen daughter, Ellen. At the scent of the stacks, she is hit by nostalgia, not only when she used to take Ellen to story hour, but to when her own mother used to take her to the library as a child. I love these beautiful echoes in life.
The Parisian Chapter is an ode to libraries and to life. I hope that you will check it out!
Thanks to Janet for visiting with us and sharing her book with our readers.
Enjoyed this post? Never miss out on future posts by following us.
Listen to this book on Speechify!


2 comments:
My city library is special to me because I've been going to it since I was a child, even though it's in a different building from when I was younger, and I have many happy memories there. Now, I bring my granddaughter there. Full circle moment. 📚💜
Though not traditional libraries, I really enjoy all the Little Free Libraries in my neighborhood, in addition to our city library.
Post a Comment